Melbourne Instruments brings its motorised knobs to Delia, a new bi-timbral analogue/digital polysynth
A sister product for Nina, but more than just a keyboard version
A sister product for Nina, but more than just a keyboard version
Not Logic Pro but FabFilter Twin?
Video and sound demos of some of the biggest hitters at this year's show, from Elektron, Arturia, Polyend, Oberheim and UDO
The 369 certainly has the look of a classic, but what about the sound?
A forward-thinking creative partner that can be smooth, glitchy or a bit of both
It was created in collaboration with plugin developer 112dB
The Keyboard and Deluxe instruments have been given a metallic makeover
Based on the same platform as the Sequential Take 5, the TEO-5 keeps it Oberheim with a classic state-variable SEM filter and X-Mod functionality
Super 8 drops the Gemini's ribbon controller and its extra set of controls, but still offers an impressive 16 voices of polyphony and the same unique architecture
Accessibility updates also include AI-powered eye-tracking control
More power and spectral healing for post production, music-making and content creation
New features include an overhauled interface, intelligent track matching and lower CPU load
This drum machine from former Ableton and Teenage Engineering developers uses a distinctive resynthesis ‘blob’. We investigate
The 'brute just got twice as brutal
SD-3, SD-5 and SD-7 can each be made to sound like one of 32 classic mics
Prepare yourself for a visit from the ghost of Moogfest past
Knocked sideways by commercial success, Tom Krell chats to Danny Turner about rediscovering his lost sound on sixth album, I Am Toward You
AJH Synth's RadioPhonic was commissioned for Zimmer's rebuilding of the BBC Radiophonic Workshop
Creating organ and piano sounds – two staples of the deep house genre – for our tracks